This thesis examines my fears of death and dying. Through my studio art practice, which includes observational representation, ceremonial and ritualistic performance, and installation, I seek to confront my own difficulty in accepting death’s emotional weight. My motivation stems from my attachment to my mother’s mortality and her relationship with nature. In researching cultural customs relating to death, I was inspired to explore non-archival materials and ritualistic processes reflecting my understanding of our bodies' temporal nature. This includes swaddling, etching, and encasing materials such as branches, animal bones, wax, copper, shells, and pine needles. My points of interest are found occurrences of death and decay. These moments help me find beauty in the grotesque.
Scale variations in my work are intentional and directly correlate to my emotional response to my experiences with nature. From small, intimate works to larger, monumental ones, I explore the authority that size achieves when exaggerated and paired with images that leave me. These gestures of curiosity and compassion aim to emphasize my innate care and the ability to restore dignity surrounding the experience of loss and dying. Centered around the ubiquity of grieving and healing, my creative process and work products express the crucial value of accepting my own impermanence through emotional vulnerability. Creating this body of work helped me realize and appreciate alternative understandings and associations with death; and by exhibiting the work, I am inviting the viewer into my life and practice with the hope it creates a brief opportunity for them to reflect and reconsider their relationship with death.
Outline of studies:
Major: Emerging Media
Track: Studio Art & Design
Education Career:
B.F.A., University of Central Florida, 2019
Thesis Committee:
Byron Clercx, Professor (chair)
Jason Burrell, Senior Lecturer
Shannon Lindsey, Lecturer
Laine Wyatt, Associate Professor
The public is welcome to attend.
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